Below, somewhere between doubled quote marks split in two by the quote, you will find a complete quote of the copyrighted transcript of the first segment of this Movie, [1] The Manhattan Projector [1] . Since this first segment of the movie can actually already be seen for free, the author scratched his left earlobe and squinted and after a few glorious moments of IP vagueness, then gave permission for it to be posted here, confused by the fact that the term Intellectual Property is similar to the term IP address, like 192.168.1.1 which they say is a local private address on every machine that is connected to the internet, but, whatever. Anyway, this text is copyrighted 2024 by David Blair, and reposted here with permission, as I already said, but of course when it comes to copy and all that you are legally required to say everything twice in case there is an error in reception or in case you have used the wrong address or something and your message goes to someone you don’t know, or didn’t know, or couldn’t know, or to some recent machine that is a strange brain and is only standing around here at the doorbell listening because it is on a misinformed quest to find it’s great grandparents, who are lost, time traveling through this movie.
If there are errors, that is because life does not known how to spell or to convert time into properly disambiguated punctuation. And also because of the spirals of time, which make it important for you to read and hear and see everything twice, so that you get the memo correctly. I don’t know who sent the memo, which has not yet arrived, but it is without doubt an abbreviated document or perhaps INVISIBLE MOVIE that somehow or other has pre-cognitively promised to appear in the Great Year 2025, at which time, and upon which memo, there, in giant glowing images, will suddenly appear a few scribbled words seen from your point of view, much in the way an on-screen ransom note would fill the screen long enough for you to read all the words before the action continued there, on a screen in a giant first run movie theater there indoors inside 42nd Street, at some point or other, or maybe several times during the early evening of September 1, 1939… a few words through which all the disambiguity of this giant movie will finally be revealed, that is to say in that on-screen ransom note, or more accurately, in the promised, premonitory memo.
That said, here are the promised quote marks:
“Transcript for first segment of [1] The Manhattan Projector [1]:
It is the start of the 21st day, and this is the movie that I cannot see.
Hello. You do not know me, but my name is David Blair. Which, in reverse is spelled David Rialb. And of course, that's not going to help you at all, but at least I tried.
Here, it is January 1st, 2023.
And we are about to begin the television new year with the beginning of an astonishing telepathic electronic science fiction film known as:
The Telepathic Motion Picture of The Lost Tribes.
Since it is a science fiction film, we will, of course, begin in the future. But I wanted to introduce myself to you in the past first.
There's something important I want to tell you.
In the current time zone, in which I find myself again and again, day after day. Movies are thought of as things that are made of attentive thoughts that have organized themselves worm like, into a 90 minute time form. Remember, this is science fiction. So I get to talk like that.
This insensible 90 minute time creature always has a beginning, a middle and an end. Or at least it is always parallel with itself, and it always shuts down after the allotted time.
The Telepathic Motion picture of the Lost Tribes is also a movie, but it is more than 1000 hours long. And so if you don't think that it is true that it is a movie, well then I don't care what you think about it, because anyway, telepathy doesn't exist.
So this is a movie and it does what it wants, even when you aren't thinking about it.
But as a sensible individual who is not a movie and does care about other people, of course I have taken your opinion into account. So let me tell you.
This science fiction takes place over a 26 day cycle in an antique ancient Japan. Just last year. I'll tell you more about that later in the future, but for your entertainment as the future unfolds and the thousand hours of this movie pass, I can tell you that I'm preparing in parallel a 90 minute science fiction, motion picture, electronic feature film which will tell you the story of the story of this movie.
An exciting brevity at great expense and with no actors.
So I hope you will be patient with me as time unwinds somewhere in the future. Coming up next. In the meantime, if you would like to sit down, you can have my chair here.
Thank you.
If I don't look you directly in the eye, please do not doubt my sincerity. I am here to tell you the truth, though I have to read that truth directly off the wall of the screen. Here. So that means I may not be always able to look at you when I speak of these truths, directly here in front of you and to you.
There also may be teeny little edits, if I say the wrong words, but that does not change the truth of what you were hearing. Those are hellos.
Hello. My name is David Blair and it is September 11th, 2063, and I'm here on the set of my latest film, an extravagant, unless occasionally misspelled, science fiction electronic feature film production with the improbable name The Telepathic Motion Picture of the Lost Tribes.
Improbable means that according to the rules of statistics, this film may not exist, but I would like to assure you that God has rolled the dice in the proper direction for the expected results, and so as a result, this very long, serious, and yet quite amusing feature film of the future, which is our present, does exist. And the fact that I am talking to you now in this form is a partial proof.
So of course, you may not believe me. I respect that disbelief, for I am sure that you are a wised up individual who knows your way around culture and entertainment. And so I simply beg of you now, just a bit of your disinterested and rational attention over the next thousand or so million hours, for that is the length of this feature film… give or take a couple weeks here or there?
Or maybe there and here. I also appear in the film when I do and when I do, don't worry, I'm not mean. That is simply part of the astonishing apparatus of storytelling. Cinema. And I'm sure at a certain point at a certain moment along the way, you will simply suspend both your disbelief and your belief and join me as we try to discover the future together, here within the hallowed walls of this screen.
For this is science fiction, and that means wonderful things are going to happen. Those wonderful things are the movie you are about to watch. Before I start the movie, I would like to let you know a little bit about it. First off, it is a movie. Don't be fooled. It may be longer than a movie, but it is a movie. And it is made of many movies.
That is to say, it is a feature film made of feature films, which takes place in another dimension, which of course is our world. If you think literally, we do live in the fourth dimension and so well, that's what movies are like these days. Like what, you might ask me. I'm sure you want to know what I mean. Oh, let me explain.
The movie takes place on a 26 day cycle, which repeats through time. The first day of the cycle of the story is September 11th, 2023, exactly 40 years ago today. That day back then is the official day one of the story of the movie. It is then followed by day two, and you continue in that combinatorial fashion until you arrive at the 26, the next day after day 26, and that is day one in the movie.
The next time that day one occurs, back then, is on October 7th, 2023.
This cycle works forwards and backwards through time here on Earth, so you can rest assured that today, September 11th, 2063 actually occurs on the 25th day in a cycle. So it's a long movie.
In the movie, I am in Japan. I am in many places traveling from one to another. In each of these places. I'm a detective. I am a UFO investigator. I'm searching for an invisible movie. I cannot see it. It is a telepathic movie, and the name of the movie that I cannot see is the Lost Tribes. The story of the search for this invisible movie takes place between September 11th and October 10th, 2023.
Beginning on day one in Tokyo, passing through the 26th Day, at Odaka, north of the Fukushima Daiichi reactor and then returning back to day one in Tokyo on October 7th, 2023, the first day of the Gaza War. We then continued to finish three days later on October 10th, 2023, which is day four of this mysterious spring wound and wounded time object of mysterious time.
As I travel, I'm a detective. I am a UFO investigator. I'm searching for an invisible movie. The name of the movie is The Lost Tribes. And since we are traveling through a cycle of days, I will tell you this again and again and again.
The Telepathic Motion Picture of The Lost Tribes is an invisible film that I cannot see, and which exists beyond the walls, wherever I am. It is, and always was, a telepathic film which cannot be seen. It has a physical reality that does not exist, for it is a fiction film. In the facts of its invisible reality, the invisible movie that I am looking for is also an ancient science fiction once made in Manchuria in the year 1936 by the people who live there.
For that place was an optimistic and ruined colony of Japan. The movie of the search for this very invisible movie is very long. The unseen movie, and my search for it, surrounds me as I travel through time. And so as a detective and a UFO investigator, I decided to master this time by dividing the day of my search into 26 parts, which equally divide the day by themselves.
Since as a UFO investigator, I have a lot of experience with all the different types of time, I have materialized this invisibility by placing all that I have learned about the invisible movie on a stick that I keep in my ear, on which I listened to a secret radio station that tells me everything that has already been revealed to me previously or in the future, at that specific moment in the 26 day cycle, so that I can compare that bunch of words or whatever it is on the radio with what is happening right there in front of me.
This broadcast and my travel every day, all day long, are the motion picture that you will now see, that I will tell you as I search for the invisible movie and as I attempt in my own way, to save the world. I don't know how I'm going to do that, but at least you have to try. If you are in Japan, and if you are a detective, and if you are a UFO investigator, and if you want to sleep, then the easiest way to deal with the immensity of the invisible movie and the temporal intensity of your search for it, is to divide what you hear in the stick in your ear, into 26 minute segments, leaving four minutes per hour for peace and quiet, and then 13 hours a day in which nothing happens at all in the stick in your ear. That is to say, 26 shows a day, each 30 minutes long, makes for a UFO detective movie search day with 13 active hours. However, I have to admit it doesn't work out like that, for as time goes on as it always does, and two directions at once, and as the invisible movie becomes brighter and brighter within the limited invisibility of its temporal telepathy, and then in fact, there's all the exciting things in that invisible movie actually start to happen right in front of me. And so in reality, all that happens in each of the 26 parts of the recorded day becomes longer and longer. So that now, or actually you can say then for for today is the year 2063, well, back then it was the year 2023. Back then, where I am, I am now searching for the movie, and in this search each of those cursed 26 segments of each day has grown in length, so that each of these 676 segments are now different from themselves, and longer and longer… and just to explain, if you have 26 days and 26 sections a day, and if you multiply them together, you get a total of 676 day segments over all those days.
And now, now, now, after all this search, each of these 676 invisible, indivisible time segments is now 2 or 3 hours long. So that's, you know, like a lot longer, but of course the invisible movie is longer than itself, Also shorter than itself, I guess, if we look back to the original planning of the time for the radio search.
Anyway, that said, you will now see that which I will now begin to show you as if you were in my ear. Welcome to The Telepathic Motion Picture of The Lost Tribes. I hope you have a good time and survive the projection of this very long film. So let's begin in the middle of the beginning of the end, right where we need to be to start this film today.
As I said, it is September 11th, 2063. Due to slight fatigue, and despite my fastidious attention to the passage of every second, a slight temporal lag has been introduced into the astonishing narrative which I am about to begin. Exactly 40 years have passed since the beginning of day one of the 26 day cycle of this movie. However, today, out of choices given me by the invisible necessities of that time lag, a slight delay deliberately created by the strange and invisible intelligence of the invisible film…
May The God of The Thrown Dice protect us and our children from its invisible intentions and its insidious uses of time!!!
… Because of that deliberate delay on the part of the movie, I will begin our projection at the beginning of day 21.
On day 21, I am in Japan. I am in Nagasaki. I'm a detective. I am a UFO investigator. I am looking for an invisible movie and so we begin.
Well, you might be wondering who? What? When? Where? Who am I? What is it? What are we doing here? And where are we? Well.
I'm an investigator.
I mean, UFO investigator, and in fact, this is my office and home. I'm surrounded here by the things that help me do my work.
I'm in Japan. I'm in Nagasaki.
And I'm looking for an invisible movie.
Before we begin. There are 26 days. And this adventure.
Today is the beginning of day 21. The name of day 21 is The Railroad Terminus.
And now following are all the 26 parts to that Day, which we will be looking at right here in order to see that invisible movie.
So. Let's begin.
I am in Japan. It is the start of the 21st day. I am in Japan. It is the start of the 21st day. And this is the movie that I cannot see.
I am in Japan.
I'm in Nagasaki.
I'm a detective.
I'm a UFO investigator.
There's been a thought crime.
And I'm looking. For an invisible movie.
The name of the movie is Lost Tribes.
And it's a telepathic movie that was made in Japanese Manchuria in the 1930s.
So. Let's go see.
I am a detective.
I am a UFO investigator.
There has been a thought crime.
And because of that, there is an invisible movie.
I do not know what that movie is.
I know that it is called the Lost Tribes.
I know that it is invisible.
And so I ask other people.
I ask the questions that I ask.
I ask the question, what day is it?
I ask, what is the name of today?
And so the other people tell me.
They tell me about the movie.
That is why I ask, and that is why they tell me.
And that is what I see.
I am in Japan. It is the start of the 21st day, and this is the movie that I cannot see.
In Japan, I am observing radiation at the atomic ruins of Trinity, and I see an invisible movie called stations of the Railroad Crossing in Japan. Visualize a scene where a person of unidentified descent and gender is observing the remnants of a desolate atomic affected area, showcasing the effects of radiation and devastation. Nearby an ephemeral spectacle plays out, almost invisible to the naked eye.
This spectacle is a metaphorical movie titled Stations of the Railroad Crossing, portraying various scenes of trains crossing and stations changing over time with elements of history, loss, resilience and rebirth meld the two scenes into one, capturing the paradoxical nature of destruction and the undying spirit of survival.
And so I say thank you.
And I look at what I see.
And then I try to tell myself what I have learned, for I have asked other people.
The Railroad Terminus.
So I guess I saw a UFO.
That would make a lot of sense.
For I am a UFO investigator.
But I don't understand why.
So I ask the other people another question.
I ask them this question.
What did I just see?
I am looking for an invisible movie.
And this is what they tell me.
And I don't understand what they tell me.
In Shinkyo they are using the blood of ink when drawing the animation movies.
And so I say thank you.
But I don't really mean it.
Since I did not understand what they said.
But you know I am not polite.
So I tell them I did not understand what you said.
And the other people think I am asking a question.
And so they explain the day to me.
It is day 21.
From that number they can tell me the name of the day, and that day is today.
I know that, but I listen and I see it is the start of the 21st day, and this is the movie that I cannot see.
The railroad terminus.
At the railroad terminus, dreams unfold where journeys begin and stories are told.
Trains arrive and depart with a sigh. Carrying passengers to the unknown sky.
The platform buzzes with anticipation as travelers embrace their destination.
In this bustling hub, Hope finds its way at the railroad terminus, where hearts sway.
That is very beautiful.
I say thank you to the other people.
I am very glad to be alive.
I am very glad to be a UFO investigator.
But when I think that the other people also think, they think that I am asking a question.
And so they tell me a story.
In the story there are people.
They are the people of Kokura.
They are watching an explosion. It is the year 1905. There is a war. Admiral Togo is sinking the Russian fleet, but it is not 1905. It is the past. A boy is sinking. He is a child emperor. He is Antoku. And then all the boats come home.
It is the start of the 21st day.
And this is the movie that I cannot see.
I am in Japan, I am in Nagasaki.
And I know Kokura.
It is at the joint between the island of Honshu and the island of Kyushu.
It is where the Americans dropped the atomic bomb.
I have seen this.
And so I listen, but there is silence and the other people dance.
And so our story begins.
It begins again.
Again.
And this is what I see.
There are 26 days. The first day of the 26 days is September 11th, 2023. On the 27th day, no matter where we are on the calendar, the days begin again. At Day One. I know this because I am a UFO investigator and this is how I count. There are many reasons for there being 26 days.
I can tell you the reasons. The first reason is that the sun rotates once every 26 days. The second reason is that there are 26 letters in the American atomic alphabet. At least that is what I think. The third reason is that the UFO rotates once every 26 days. I am a UFO investigator, I know this, I can see it.
Then after that. The fourth reason is that the Hebrew people who I do not know, those people, like to take their letters and turn them into numbers. This is called gematria. For the local people who do this, the number 26 is the number of a word that you cannot say, the name of a God. You cannot say this, and that is something that the other people told me. I don't think I believe that after that.
The fifth reason is that the number 26 is the number of days that it takes for the invisible movie to rotate. That is what I was told. So I am telling you, I am going to tell you everything, for I am an investigator. I am a UFO investigator.
Of course, I am very happy to be alive. To be able to tell you this. That is the reason that I'm going to tell you everything. It will take me a long time since sometimes I will tell you everything twice. That is one of the problems of a repeating 26 day cycle. But my investigations are important and they are meticulous. For, as you know, I am looking for a movie that I cannot see.
But we will look and we will see. We will see what we see. Or at least you will see what I see or what I don't see. This is important work. It is very important. In fact, I'm currently in contact with a producer in Hollywood who wishes to put a shortened version of this story on the big screen. So if this is too long for you, you can watch that when it comes out next year.
So let's begin. This will take some time. It is day 21 at this moment where I am. Day 21 occurs on October 1st, 2023. I am in Japan. I am in Nagasaki. The name of day 21 is The Railroad Terminus. On day 21, all the following things happened.
In the system of the American atomic alphabet, today, which is day 21, is brought to you by the letter U. The name of the day is The Railroad Terminus.
Today's voyage took us on a profound exploration of Nagasaki historical and cultural landmarks. We traveled from ancient Suwa Temple, a nexus of spiritual and temporal connections placed up very high at the end of many stairs at the top of a hill.
From there, we traveled to the Air Defense cave at the bottom of that same hill. In this way, we learned through layers of time and meaning. Each step unveiled deeper insights into the fabric of this storied city.
We are soon about to begin a detailed journey through each of the 26 parts of day 21. In the meantime, however, here is what I remember from my visit to day 21. The Railroad Terminus. Exploring the symbolic end of a journey, I visited key locations in Nagasaki and thought about the cyclical nature of history and travel.
On day 21, known as The Railroad Terminus, we see our group of adventurers, including the UFO investigator and the UFO as they explore the intersections of history and transportation in Nagasaki. Their journey begins at a museum, a treasure trove of historical correspondences. From there, they traverse the city, moving towards a final destination at the Broken Arch in the Christian District.
The day ends with a contemplative of walk down one of the hills. Fortunately, no one falls in the dark, for the sun has set and gravity is high.
Day 21. The Railroad Terminus. I forget what happened, but something did.
Day 21. The Railroad Terminus. No one has yet told me why. This is the name of the day. I did arrive on a train, but I spent most of my time in Nagasaki walking. Nonetheless. Day 21 corresponds to the letter U.
The day began with the movie glowing dark. That is to say, the sun rose. This day, however, I didn't see it rise. I woke and headed out, intending to go to the document repository for the missing battleship mine. For you see, there is an island in the shape of a battleship in the further harbor, and it is called Hashima Island. It is also called Gunkanjima. The island was a coal mine beginning at the end of the Meiji period. At the center of the island is the oldest concrete building in Japan.
I had taken the boat tour to this forbidden zone two days before. At that time, I learned that there was a strange brain that lived in the abandoned mine, there, in the middle of the ancient harbor. In addition, all the walls of the old concrete buildings above the mine were electrified to prevent them from rotting. Thus, this anti corrosive electrical power concentrated itself at the old orange torii shrine at the very top of the tallest building there, above the empty mine on the battleship shaped island.
I was determined to find where that gate went, but at the documentation center, they told me that the empty orange gate at the battleship island went directly to Suwa Temple, located on a giant hill above the town of Nagasaki. To get there, I had to walk north towards the railroad terminus, but I was diverted upwards along the way, and so I began to head up the hill instead, towards the place where no railroad could go.
In Nagasaki, every building has a rooftop shrine, a door to the sun that goes nowhere. And now I walked among them as I headed towards Saito Temple. I arrived and without even understanding I had done so, I passed with the sun through the torii and exited almost immediately down the hill. There I found the caves. When the war began, the Air Defense Center was placed there in the caves, and it was there that the air defense technicians heard the radio sounds of the story of the arrival of the single atomic B-29 airplane on the morning of August 9th, 1945, just before 11:02 a.m..
The radio sounds came there into the radios, there in the dark of the caves under Suwa Temple. I will say that again. I was told by the other people, you know, the people that I speak to when I have a question from them. I heard that the sound that came over the radio was from those who had seen the atomic B-29 airplane, and that sound entered the caves under Saito Temple, for they were talking about the airplane.
From there, somehow or other, the sounds of the radio sounds traveled underground as far as the battleship island, where there under the concrete buildings, the miners were mining coal. They could not hear the sounds, but also there was a strange brain there in the walls of the mine or under the island, and it was made of electricity, and that brain could hear the sounds of the radio.
If the bomb had exploded in Nagasaki, the people in the mine would have continued working, and they would never have known that the bomb had exploded in Nagasaki. The people in the air raid cave would have kept working, but the strange brain would have known what had happened. And in fact, I understood that it thought about this a lot in the later years, down there in the dark, in the electrical zone in which it lived.
Afterwards, the sun suddenly set sometime before dawn, and I was in the dark. I walked by an unlit statue of the Goddess of Mercy, hundreds of meters tall, and she waved at me with her spear hand. She was standing on top of a very alert tortoise, who was always ready to take off into the sky.
The tortoise was a UFO. I know about these things, for I am a UFO investigator, but the statue of the goddess is hollow, except for where her brain would be, if it was there inside the goddess, thnere where the center of her brain should be there is a nail that holds one end of a single string, stolen from an endless roll of piano wire that stretches from there, down across all those hundreds of feet, to a space with a circular Ouija board far beneath her feet. Attached to the singing piano wire there is a focus pendulum made of hyperbolic aerogel, a material which glows green all night, and which likes to breath in whispers. I think this is because it has been filled with Wonderful Tritium, which is a heavy kind of hydrogen that they throw in the ocean for good luck at the Fukushima Daiichi reactor. And I will tell you more about this as the sun turns, as the wire sings.
I wonder if the song of the wire is what the voice of the strange brain in the electrical zone under Battleship Island would sound like if it ever sang songs on the radio. I don't know, I will have to ask the other people another day.
I could not do that then, for I was very busy at the end of it all, the end of the day, for not far away, in the very darkest of dark, I had arrived at the site of the 26 martyrs. It was located next to the NHK television antenna on the hill there, just above the railroad terminus in the center of town.
I counted the 26 martyrs, and yes, there were 26. They were made of two groups of 13 martyrs. This all happened in the dark. I will tell you more the next 26 times that I tell you this story. For now I have to go think.
Day 21. The Railroad Terminus. Beginning by exploring the document repository for the battleship Island and then flying through the air directly to the great orange torii at Suwa Temple, the protagonist then discovers a railroad map in his back pocket, a map that shows a dangerous path to the hideous broken arch, a torii really smashed in time, and a symbol of the journey's end and beginning.
Day 21. The Railroad Terminus. It is the 1st of October, and I walk up, up, up to Suwa Temple and then finally to the Broken Arch, where I arrive at night beyond night in an utter darkness that only pure water can save me from.
And this is what I see.
Hello. What day is it?
Thank you. Here is the answer that the other people have told me.
It is October 1st, 2023.
It is day 21. In the 26 day cycle.
Thank you. Where am I? Thank you.
Here is the answer that the other people have told me.
I am in Nagasaki.
Thank you. What happened in Nagasaki?
Here's the answer that the other people have told me.
In Nagasaki, the atomic bomb that destroyed Nagasaki was instead dropped on the city of Kokura, which is northeast of Ground zero, and Nagasaki.
Thank you. When did this happen?
Here is the answer that the other people have told me. The bombing of Nagasaki occurred on August 9th, 1945. This was the second atomic bomb dropped by the United States on Japan during World War Two. Following the bombing of Hiroshima on August 6th, 1945.
Thank you. What day is that in the 26 day cycle?
Here is the answer that the other people have told me. On August 9th, 1945, the date of the bombing of Nagasaki falls on day one of the 26 day cycle that begins on September 11th, 2023.
Oh, thank you. I did not know that.”
——
Thus we reach the end of the first segment of this movie, which is called [1] The Manhattan Projector [1]. There are many more sections which are available within this movie, but which have not been presented here, and so it is suggested you go watch this first section of this movie, and then go watch all the other sections of this movie, called [1] The Manhattan Projector [1], and which is a science fiction movie made by science fiction means.
Then there are other movies, each of which are made of many segments. For instance, the next movie is called [2] I Am Looking For An Invisible Movie [1] , and it is also directed by David Blair, who it appears, via documentary evidence, and within the direct meaning of words here provided for your temporal orientation, is the copyright owner of that movie and this movie and also of the words which I have spoken to you in order to answer questions that you did not know you had until you forgot the answers, as you already have.