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        <description>THE A-Z STORY ENCYCLOPEDIA OF TIME

1993-2025



VOLUME A

VOLUME ABCD EN

VOLUME ABCD FR

VOLUME E

VOLUME F

VOLUME G1

VOLUME G2

VOLUME H

VOLUME I

VOLUME J

VOLUME K

VOLUME L

VOLUME M

VOLUME N

VOLUME O

VOLUME P

VOLUME Q

VOLUME R

VOLUME S

VOLUME T

VOLUME U

VOLUME V

VOLUME W

VOLUME X

VOLUME Y

VOLUME Z



VOLUME A -Antipode

VOLUME B - Boston

VOLUME C - China

VOLUME D - Dairen

VOLUME E - EL

VOLUME F - France

VOLUME G - Grand

VOLUME H - Hungary

VOLUME I - Island

VOLUME P…</description>
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----------

[3] [PART 1]  I AM LOOKING FOR THE MANHATTAN PROJECTOR



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Volume 0_ 4 Voices  JA_ They



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Volume 0_ 4 Voices  JA_ We



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Volume 0_ 4 Voices  JA_ You



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[3] [PART 2]  I AM LOOKING FOR THE MANHATTAN PROJECTOR



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[Day 1] WAX Bulgarian



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[Day 2] WAX Chinese



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[Day 3] WAX Czech



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[Day 4] WAX Danish</description>
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[3] [PART 3]  I AM LOOKING FOR THE MANHATTAN PROJECTOR



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How Waxweb works [www.waxweb.org]



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VolumeE_Part 0 ENGLISH trailer



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Volume E Part 0 Bulgarian</description>
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Volume A_Bulgarian



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Volume A_Chinese



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Volume A_Czech



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Volume A_Danish



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Volume A_Dutch



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Volume A_English



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        <description>----------

VOLUME A



The Framework: The Telepathic Motion Picture of THE LOST TRIBES



The overarching narrative of VolumeA is presented as “The Telepathic Motion Picture of THE LOST TRIBES,” described as an experimental telephonic science fiction television movie series. This meta-framework positions the reader as both audience and participant in a live television broadcast that exists across multiple dimensions of time and space. The series promises 26 years of episodes, each containing 26…</description>
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        <title>encyclopediadddescription</title>
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        <title>encyclopediae</title>
        <link>https://thefirstmovieontheinter.net/doku.php/ency:encyclopediae?rev=1766567804&amp;do=diff</link>
        <description>----------

Part I: The Never-Ending Story and the Telegraph Factory



VolumeE opens with a meditation on the mathematics of narrative infinity. To create a never-ending story, one would need a million pictures at thirty frames per second, yielding just over nine hours of footage—barely significant in the life of a mouse. But with heavy editing, daily viewing fragments, program rotation among multiple mice, repeats, news interrupts, and commercials, this modest duration might suffice for perpet…</description>
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        <title>encyclopediag1</title>
        <link>https://thefirstmovieontheinter.net/doku.php/ency:encyclopediag1?rev=1766567804&amp;do=diff</link>
        <description>----------

PART ONE: THE MANHATTAN PROJECTOR AND THE BEGINNING



The narrative opens in the Manhattan Research Library at 42nd Street and 5th Avenue, constructed above the lost Croton Reservoir containing an “antique nuclear reactor.” At the heart of this technological marvel is the Manhattan Projector—a coherent ray emanating from the reactor that systematically erases all text from books while preserving their knowledge as floating thoughts throughout the library's atmosphere. The narrator, …</description>
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        <description>----------

Opening: The 3000 Adventures Begin



Volume G Part 2 opens with an announcement of entering “our 3000th iron-clad un-sinking sink or swim adventures.” The narrator explains the mathematical progression: “we have to level up by pinning a zero on the tail of the number, that's how they count around here,</description>
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        <title>encyclopediah</title>
        <link>https://thefirstmovieontheinter.net/doku.php/ency:encyclopediah?rev=1766567804&amp;do=diff</link>
        <description>----------

Section H-A: All About Introduction



Welcome to the release of VOLUME H, known by the name of ALL ABOUT NOT KNOWING VOLUME H of THE FIRST MOVIE ON THE INTERNET. This is the 8th volume of an endless digital odyssey, releasing as an 11-hour movie, a word novel, and a graphic novel in 25 languages that the narrator does not know, plus a 26th that interweaves English, Hungarian, and Japanese—though you'll never see that one unless you do.</description>
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        <title>encyclopediai</title>
        <link>https://thefirstmovieontheinter.net/doku.php/ency:encyclopediai?rev=1766567804&amp;do=diff</link>
        <description>----------

The Submarine Theater Introduction



VolumeI opens in an underwater bubble theater lost in the “fishbowl oceans of atomic sky.” The narrator, who serves as both an Usher and a Movietalker, finds himself stretched across multiple screens and unable to escape. He addresses an audience while simultaneously calling someone in Alamogordo, New Mexico, on a Trinity Site Ground Zero telephone system. This theatrical setting establishes the central conceit of</description>
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        <title>encyclopediaii</title>
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        <title>encyclopediaj</title>
        <link>https://thefirstmovieontheinter.net/doku.php/ency:encyclopediaj?rev=1766567804&amp;do=diff</link>
        <description>----------

Part I: The Uhler Motion Printer and Mobile Cinema Rooms



The narrative begins with an explanation of how movies are made in “these confusing days” using rooms that are cameras, contained within mobile buildings that roll on variable tracks. These camera-rooms travel in all directions—forwards, sideways, upside down—depending on their origin and destination. The journey can take various forms: through tunnels toward bridges, through harvest fields, or through endless winter where e…</description>
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        <title>encyclopediak</title>
        <link>https://thefirstmovieontheinter.net/doku.php/ency:encyclopediak?rev=1766567804&amp;do=diff</link>
        <description>----------

I. The Imaginary Intermission and Submarine Theater



The collection opens with an emergency broadcast from an “Imaginary Intermission” transmitted to various mythical peoples—inhabitants of Lemuria, MU, the Sunken Manchuria Union, Old Japan, and Antarctic Pymtown. The narrator warns of danger while broadcasting from a small cinema theater attached to a Korean Nuclear Submarine heading skyward. This theatrical frame establishes the work's multimedia nature, blending television, cine…</description>
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        <title>encyclopedial</title>
        <link>https://thefirstmovieontheinter.net/doku.php/ency:encyclopedial?rev=1766567804&amp;do=diff</link>
        <description>----------

The Lost Torah and the Jesuit Quest



The foundational narrative revolves around a missing library book that becomes the center of an elaborate theological conspiracy. In 16th century China, a group of Jesuits discovers that a crucial text has been borrowed from the library and never returned. This book, titled</description>
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        <title>encyclopediam</title>
        <link>https://thefirstmovieontheinter.net/doku.php/ency:encyclopediam?rev=1766567804&amp;do=diff</link>
        <description>----------

The Fundamental Framework: A Movie Called Wax



The entire narrative of ScriptM centers around a movie called “Wax or The Discovery of Television Among The Bees” (85 minutes, 1991), which has become a living, talking entity. This movie initially exists as a bubble surrounding Jacob Maker, speaking and searching using three fundamental answers: Bees, Artificial Language, and Television. The movie begins in 1991 and describes itself as being two years old in 1993, playing repeatedly i…</description>
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        <dc:creator>Anonymous (anonymous@undisclosed.example.com)</dc:creator>
        <title>encyclopedian</title>
        <link>https://thefirstmovieontheinter.net/doku.php/ency:encyclopedian?rev=1766567804&amp;do=diff</link>
        <description>----------

Part I: The Manchuria Book - Foundation Stories



The Republic of Manchuria (March 1392-1931)



The foundational narrative begins on March 1st, 1392, with the establishment of a mystical government in Manchuria. This government is comprised of four ordinal entities (0, 2, 4, and 6, alternately referenced as 0, 1, 2, 3, and sometimes 1, 2, 3, 4) who are described as intelligent beings without physical form - essentially</description>
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        <dc:creator>Anonymous (anonymous@undisclosed.example.com)</dc:creator>
        <title>encyclopediao</title>
        <link>https://thefirstmovieontheinter.net/doku.php/ency:encyclopediao?rev=1766567804&amp;do=diff</link>
        <description>----------

Chapter 27: Nothing Happens



The narrative begins with “Chapter 27. Nothing Happens,” establishing a deliberately paradoxical tone that will characterize the entire work. This chapter serves as an entry point into a world where conventional storytelling logic is deliberately subverted.</description>
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        <title>encyclopediap</title>
        <link>https://thefirstmovieontheinter.net/doku.php/ency:encyclopediap?rev=1766567804&amp;do=diff</link>
        <description>----------

The Framework Narrative: A Circular Journey



The ScriptP contains a complex, multi-layered narrative structure presented as both a documentary and personal religious testimony. The narrator repeatedly emphasizes that what unfolds is both documentary truth and his personal beliefs, creating an ambiguous reality where fact and fiction intermingle. The stories are organized around a circular motif—trains running in rings around cities, story arcs that curve back on themselves, and a g…</description>
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        <link>https://thefirstmovieontheinter.net/doku.php/ency:encyclopediaq?rev=1766567804&amp;do=diff</link>
        <description>----------

Story 1: The Surviving Haitian and the Submarine Narrator



The narrative begins with a submarine-bound narrator describing a surviving Haitian sailor who has escaped from a sinking, God-tilted boat. This figure is characterized by his human anatomy - two lungs flanking his spine (described as a</description>
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        <title>encyclopediaqq</title>
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        <dc:creator>Anonymous (anonymous@undisclosed.example.com)</dc:creator>
        <title>encyclopediar</title>
        <link>https://thefirstmovieontheinter.net/doku.php/ency:encyclopediar?rev=1766567804&amp;do=diff</link>
        <description>----------

Story 1: The Floating Ships and the Straits of Magellan



The narrative begins with a fantastical voyage through time and space. Five boats sail across the Pacific without touching water, floating just above the waves yet rocked by the ocean's rolling motions as if rooted in the water itself. These mysterious vessels pass through the Straits of Magellan, their passengers waving and shouting to people gathered on the beaches of the past.</description>
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        <dc:creator>Anonymous (anonymous@undisclosed.example.com)</dc:creator>
        <title>encyclopedias</title>
        <link>https://thefirstmovieontheinter.net/doku.php/ency:encyclopedias?rev=1766567804&amp;do=diff</link>
        <description>----------

Story 1: The Japanese Jews of Lost Angeles 



The narrative begins with a fragmented family history set in a dystopian Los Angeles, here called “Lost Angeles.” The protagonist's parents were Japanese Jews living in this earthquake-ravaged city during the 2020s, a time when anti-immigrant hysteria was reaching fever pitch. The city had been devastated by multiple earthquakes, leaving it a</description>
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        <dc:creator>Anonymous (anonymous@undisclosed.example.com)</dc:creator>
        <title>encyclopediat</title>
        <link>https://thefirstmovieontheinter.net/doku.php/ency:encyclopediat?rev=1766567804&amp;do=diff</link>
        <description>----------

The French Space Agency Thought Experiment



The narrative begins with a thought experiment presented in the video conference room of the French Space Agency, the Central National for the Study of Space. This establishes the framework for what follows: an unnumbered series of adventures featuring Jacob, a character who wanders through minds and space waves among various floating cities that inhabit the international interplanetary void on television.</description>
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        <dc:creator>Anonymous (anonymous@undisclosed.example.com)</dc:creator>
        <title>encyclopediau</title>
        <link>https://thefirstmovieontheinter.net/doku.php/ency:encyclopediau?rev=1766567804&amp;do=diff</link>
        <description>----------

The Cosmological Framework



VolumeU presents a complex metaphysical universe where reality operates through multiple dimensions of perception and consciousness. The foundational premise establishes that “on the earth, lines are circles</description>
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The Explosion and Trinity Site



The narrative begins with references to an explosion at Trinity Site and the Alamogordo Air Base. The text describes a premature explosion of materials intended for an “improved war weapon” that resulted in deaths among scientists and test personnel. This explosion appears to be connected to the development of television technology</description>
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The Legal Foundations of Sky Islands



The narrative begins with an extraordinary land acquisition scheme orchestrated by French revolutionary aliens. These beings have legally purchased and excavated entire territories from Earth, transforming them into floating islands through rational excavation methods. They mark property boundaries with bone powder made from former humans, following precise maps obtained from local city records offices via the internet. Each transaction is over…</description>
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Part I: The Foundation of Telepathic Industry



X1: The Soybean Revolution 



The narrative begins with the establishment of a new telepathic industry centered around soybeans in Manchuria. The Manchu Edison Film Corporation sponsors the construction of fields, factories, and mines, using modern advertising techniques to introduce the</description>
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The Manchurian Cinema Company Narrative



The collection opens with the voice of what appears to be Emperor Taisho speaking on Christmas Day, declaring it his “last day in the theater” before “Manchuria will end.” He introduces the Manchu Edison Film Corporation (also referred to as Manchuetta Center), a pioneering cinema company at the forefront of early 20th-century film innovation. This company has distinguished itself as the first to provide professional katsuben—traditional Jap…</description>
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Z2 - The Fair



The suburbs of Shinkyo represent a fascinating experiment in mobile urban planning. Originally constructed for the 1954 Shinkyo World's Fair, these residential structures were designed with a remarkable feature: they rest on sturdy wheels and are repositioned once every year. The ambitious world's fair for which they were built was mysteriously canceled for unknown reasons, leaving these mobile homes without their original purpose.</description>
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        <description>greetings from Paris



It is, for me, a useful fact that 34 years after the release of Wax, or The Discovery of Television Among The Bees [85:00, 1991], the movie still gets several good reviews a week on the letterboxd service, which you can find here:</description>
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